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Decks like this (operating at 15 in/sec) used to be considered the minimum you needed to get a quality analog master of your music.

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1/4 inch 1/2 track, 2 track open reel tape recorder/reproducer.

which means:
the magnetic tape it uses is 1/4"
each track takes of 1/2 the width of the tape.
it can play/record two audio tracks across the width of the tape.

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reminder that doing pizza delivery is a more dangerous (and more socially beneficial) job than being a cop

money, begpost, ugh 

If someone could lend me £100 until the 20th of April that would save me a huge amount of stress and problems. I'm owed roughly £1,500 that should have come weeks ago but won't come until the 20th (and even then only half, hooray).

In the meantime, I have to pay bills (which have just gone up by about 20%) today or tomorrow. My living situation is miserable but survivable, but if I'm late with this it's going to get really horrible.

I also have some cassette deck in various states of disrepair, but they're too lo-fi for me to have much interest in getting them to work

mh- 

today, however, the air is thick with anhedonia, and i barely want to move.

i do have a partial list of things i'm going to try to get working this year.
1 tascam 22-2 1/4" half-track reel to reel tape deck
1 sony tc-350 1/4" quarter-track deck
1 advent 100 dolby b unit
1 dbx 224x
1 dbx 150

the last three are noise reduction units, used with magnetic tape systems to increase S/N ratios and extend dynamic range- their benefits are widely debated, but I want to try to calibrate them to at least work correctly.

i've collect a lot of broken analog recording at this point

i may not have a single active git repo at this point, but at least i still obsess about obsolete technology

"oh, that was a close one, n.k jemisin, but you made it!"

"i won the hugo?"

"no, you regained consciousness. isabel fall won the hugo. and believe me, this is NOT A DREAM!"

current mood: 

aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa

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