Decks like this (operating at 15 in/sec) used to be considered the minimum you needed to get a quality analog master of your music.
1/4 inch 1/2 track, 2 track open reel tape recorder/reproducer.
which means:
the magnetic tape it uses is 1/4"
each track takes of 1/2 the width of the tape.
it can play/record two audio tracks across the width of the tape.
Goals
RT @womenpostingws@twitter.com
🐦🔗: https://twitter.com/womenpostingws/status/1381438622751145984
money, begpost, ugh
If someone could lend me £100 until the 20th of April that would save me a huge amount of stress and problems. I'm owed roughly £1,500 that should have come weeks ago but won't come until the 20th (and even then only half, hooray).
In the meantime, I have to pay bills (which have just gone up by about 20%) today or tomorrow. My living situation is miserable but survivable, but if I'm late with this it's going to get really horrible.
here's what the dbx systems might look like as a dsp plugin
http://www.bobweitz.com/dbx_webpage/dbx.html
i do have a partial list of things i'm going to try to get working this year.
1 tascam 22-2 1/4" half-track reel to reel tape deck
1 sony tc-350 1/4" quarter-track deck
1 advent 100 dolby b unit
1 dbx 224x
1 dbx 150
the last three are noise reduction units, used with magnetic tape systems to increase S/N ratios and extend dynamic range- their benefits are widely debated, but I want to try to calibrate them to at least work correctly.
Transitioning in mid-life
alt: @confusedcharlot@kolektiva.social
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http://quietcarlota.tumblr.com (backup)
https://www.pillowfort.io/charlotte
confusedcharlotte#1650
confusedcharlot@twitter
#nobot