@Felthry Some silly nerdy nitpicking. For example, the background in the second panel is a riff on the 1930 Fleischer Cartoon 'Bimbo's Initiation', one of the era's greatest cartoons, but not silent. And silent cartoons weren't likely to use greywashed backgrounds; they tended to use black-and-white line art.

A silent cartoon would be more likely to have a word balloon appear in the scene, too, rather than use an intertitle card like the last panel, if dialogue needed to be spelled out.

@Felthry *But*, that's foolish nitpicking, not least because the joke would be harder to parse if it were more authentic. For example, a comic strip character with a word balloon doesn't look like a silent animated character; it just looks like a comic strip character talking. Same with using simple line art rather than a greywashed background. Being more true to the premise would make the joke harder to see!

@Felthry Just a description of the coloring in the second panel, where everything is shades of grey, and looks like watercolored paint or maybe blended charcoal.

@Austin_Dern what makes that different from "simple line art" exactly? because i don't think we've seen any animated things that were just line art, or at least really rarely
-F

@Felthry Hi again. So, here's a frame from the Fleischer's 1931 _Bimbo's Initiation_, the thing that comic strip was riffing on. The background's what you would get with a detailed-background commission: there's a lot of shading, an attention to three-dimensionality. There's varying line weights and, for example, the shading on the table is washed out to make it look soft-focused. Very typical of sound-era silent cartoons.

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@Austin_Dern oh it's really based on a specific frame of a thing, isn't it? -F

@Felthry Oh yes; that was a very specific callout to fans of early cartoons. Betty Boop particularly, since _Bimbo's Initiation_ is regarded as one of her earliest cartoons. (She gets a cameo in it.)

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