@ziphi when we think 5/4, for some reason Don't Be Afraid always comes to mind: https://www.youtube.com/watch?v=5dSxUoBjUPw
kinda feel like this one uses the odd time signature a bit differently than a lot of 5/4 music does, though
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@ziphi it turns it into a clave rhythm, and then almost uses that as a pseudo-4/4 but with the first two beats longer than the last two?
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@ziphi It's a neat rhythm that works really well for certain things (which is true of most rhythms honestly but this one's at least more interesting than your basic 4/4 back-beat rhythm)
I like when weird time signatures are used to make music feel unbalanced--this one is unbalanced in a driving-forward sort of way, but it's also common to use for more of an unsteady or taken-aback or just overwhelming sort of mood, like say the oot ganondorf battle music
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@ziphi (that one's not 5/4 though, don't know any 5/4 examples that work like that. iwrc ganondorf battle is 17/8?)
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@ziphi (no, looked it up, it's 23/16, or more sensibly, (3+3+3+4+3+3+4)/16)
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@ziphi it's a really fucking weird time signature though
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@ziphi and then you get stuff like Strong One (Masked Man) from Mother 3, which is just Very What
https://www.youtube.com/watch?v=JOdK4uc6nUc
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@ziphi that sounds like a really neat rhythm! we're bad at feeling a rhythm from just reading the sheet music though, would have to hear it to understand it
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@ziphi I like it! It's hard to pick out the rhythm, but doesn't feel like just a random jumble of notes or anything
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That game is traumatic.
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One of my favorite rhythms that I've written is this one. Got eighth notes and quarter note triplets in 9/8, then switches to eighth notes and dotted eighths in 10/8, and back.
It feels very unbalanced and like it's slowing down and speeding back up. I've been working on this piece for a long while now, off and on, and it's not yet finished though.