drugs, cultural appropriatiobn (lack thereof)
the funniest story I know about cultural appropriation is a girl I went to high school with who, three acid trips in a row, saw Ganesha pushing through the wall like it was latex, and all three times she was like "No, Ganesha, thank you for thinking of me but I'm not Hindu and nope, we're not doing this," and then he left
I have a magic rectangle. One side of it is metal, the other glass. Inside it are crystals of exceptional fineness, metal etched into intricate patterns, and traces of many exotic elements, all from different faraway lands. Symbols appear on the glass, and if touched in the right order, many wondrous and terrible things can happen. Just as often, they do not, and I have to spend an hour working out which part of the ritual I messed up.
Crazy Quarters Arcade Streams.... TONIGHT! at 7 PM
Tonight! at 7 PM PST!
CRAZY QUARTERS ARCADE OPENS ITS DOORS ONCE MORE!
Long thought abandoned behind a disused Hollywood Video in a strip mall scheduled for demolition for about two decades now... a team of elite hackers has restored three of the WEIRDEST arcade titles for your viewing pleasure - and participation!
- Ninja Baseball Bat Man: In a baseball themed world, four baseball-themed brawlers walk right and beat up more baseball-themed everything.
- Pu Li Ru La: Words are not sufficient to describe how batshit this brawler is.
- Quiz and Dragons: Who needs Jackbox when you can play D&D by answering obscure 70s and 80s trivia questions instead of combat! Audience participation encouraged!
Come one, come all, but... bring your quarters.
https://www.twitch.tv/crazystreamtime
covid19 ; fonts / glyphs
I was having a crappy day today ... but then I learned Wendy Carlos and Weird Al Yankovic recorded Peter and the Wolf together, *and* it’s downloadable from the Internet Archive:
https://archive.org/details/PeterAndTheWolfWeirdAlWendyCarlos/
Today's complaint about Adobe design software.
Adobe Illustrator lets me make my own toolbars!
They don't have the concept of separators. Grouping tools either involves making a separate toolbar for them, or stacking several tools in one button that, when pressed and held, pops the stack out so it can be dragged off as its own pseudo-toolbar.
The catch is that these pseudo-toolbars only have two options for resizing: single column or single row. They can be snapped together horizontally, but not vertically.
In fact, standard toolbars also only have two size options: single column or double column. They can't go horizontal. Worse, when switching from double to single, the column isn't merely split in half to keep both halves in order; the buttons are reordered in horizontal pairs, essentially requiring relearning the positions of every button but the first. These toolbars also only snap together horizontally.
Then there are the utility panels: one for setting text properties, one for manipulating object appearance, one for managing layers, and the like. Some can be resized freely for both height and width, some have multiple fixed size modes, and all can be reduced to tabs or even buttons. These can be stacked into little tab groups like the pseudo-toolbars, and those can also be attached vertically into columns which can be snapped together horizontally.
None of these can be pinned to the top or bottom of the window, only left and right or free-floating.
Oh, but there's also the "control bar" which can only be docked at the top or bottom of the window and, when free-floating, always takes the entire width of the screen and cannot be resized at all.
This product has been in constant development for 35 years and its UI is still baffling and inconsistent yet I persevere because (despite the existence and usability of Affinity Designer and the existence... of Inkscape) so far Illustrator is still the best tool for how I want to do things.
Computer bad. Rant done.
Little joys, distributed computing.
I've recently set up my personal computer to run Folding@Home, the distributed computing platform dedicated to medical research – specifically, modelling the different ways protein molecules can "fold", which is a big part of finding ways to stop a variety of diseases including a rather urgent one I needn't mention.
Protein folding simulation turns out to be the sort of brute-force problem at which computers excel. Furthermore, it's the sort that a graphics processor is much better at than a general CPU. So my setup is such that the software ignores my laptop's processor (it has enough heat issues, thank you very much) but when my system's at home – and lately, that's almost all the time, go figure – I leave it hooked up to an external GPU that Folding@Home can use to grind away. Thus, my studio (yeah, let's call it that) almost always sounds like there are four small fans running because that's the total of the graphics card and the enclosure. Also, the room's been a couple degrees warmer than usual, because at full blast the setup is basically a 100W infrared light bulb.
But when the fans spin down because a work unit has been completed, I get a tiny little rush of satisfaction. In one more way, I helped. I contributed to solving a huge and difficult problem that's actually important.
And you know what? There's another little rush when the fans spin back up, because I know that work's getting done again.
If you have hardware – especially an AMD or nVidia GPU – and you don't mind heating up a room with some heavy math, check out https://foldingathome.org/ and set things up. Be patient, as it can take a bit for a work packet to show up... but once it's going, you'll be helping too.
I 💖 @orrery
I 🕹️ retrogaming
I 🔊 chiptunes
I 🦄 ponies
I ☁️ cannabis
I � Unicode
and yes to 🤖 but #nobot
avatar art by Dana Simpson (danasimpson.com)