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oh my gosh, tusky test finally has focal point support!!

having to switch to something else every time i posted an image was the main reason i never really seriously used it, so i can't wait for that to land in the main app!

(i can't link to specific posts i think, but the most recent post is about town-explorer, a little thing i made to see what's happening on tilde.town and interact with it!)

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oh my gosh, this is the nicest thing anyone has ever said about something i've made, aaaaaa!!

tilde.town/blog.html

jazz jackrabbit 2 (the jazz 2 resurrection project) can now be played in your browser deat.tk/jazz2/wasm/

more info at deat.tk/jazz2/

seriously though, this talk ruled so hard

(i'll post the vod when i can!)

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roguelike celebration's aesthetic levels just casually going nuclear as an anticapitalist queer legend of a presenter uses classic mac hypercard to talk about her telnet zine and queer retro tech spaces

i pulled out fl studio really briefly and just made an extremely quick tune that's pretty much 100% this progression in a few different forms layered on top of each other

...which turned out to be a pretty neat experiment!

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i learned recently that a lot of music i like has a very specific progression that's apparently super-popular in japanese music

a progression called the "royal road progression", which is basically a guaranteed earworm in anything that uses it youtu.be/6aezSL_GvZA

@cinnamon *laughs in "only using a single weapon, no matter how bad it is for the mode currently on"*

@cwebber@octodon.social gosh, the highlight in erc-track makes my brain want to C-c C-SPC

i must know what the goblin said to me in

re: discussion of nsfw 

@codl my biggest problem with it is a matter of consent, because its vagueness really undermines the entire idea of clearly communicating your boundaries, which sucks because that's the single most important concept for that entire sphere

re: discussion of nsfw 

@codl oh gossssh, this is where my double standard of applying the least charitable interpretation of it to myself, but the most charitable for everyone else came from

it's simultaneously so exceedingly ambiguous and ubiquitous, and i also super-don't want to make others feel unhappy, that i really can't help but notice the emotional no-man's land encompassing the juxtaposition of its extremes

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