Course he did Maus b/c he was turning 30, wanted to do something meaningful, was originally going to riff off how B/W cartoon mice are takes on Black entertainers, with Ku Klux Kats. Then he went a Black artist could do that one, but not me. Hey I have a perfectly good Jewish story living right by me.
Imagine how fast the original idea woulda been banned. Southern rightwingers hate us, but they REALLY hate Black people.
And I hate how it’s a no lose game for them. Even if you’re not committing energy to push back against transphobia, homophobia, antisemitism, anti-Blackness, etc, because you kinda have to, they’re still leaching your emotional resources with clowning. Every bit you lose is energy you could put into fighting their assault on voting, on the planet, on a prosperous future.
#drawing today, reworked before bedtime. A wicked queen recruiting barbarians for her cause. Despite what I was listening to, she is probably *not* trying to muster an army for the King Across the Water.
I put the Separatist Droid Army March theme over the Robot Dog army & Am... https://youtu.be/G5SKCBNpAlM via @YouTube
omg omg omg *hyperventilates* https://www.instagram.com/reel/CY8wRYwBmy4/?utm_medium=copy_link
Okay so about Maus since it’s come up lately.
There’s no shame in coming out of something that big scarred, or not at all. There’s no happy ending (the only time I met Spiegelman I said that, and we agreed about *hating* the end of Schindler’s List where everyone who lives winds up blissfully happy in Medinat Yisrael), life keeps going and winds up with Vladek’s family and old age. The whole thing is very humanistic.
Anyway, these are great comics. If you can do it okay I can’t praise it enough.
Okay so about Maus since it’s come up lately.
What really impacted me is he goes beyond a simple morality play. The survivors aren’t saints, they’re humans, this experience would break most people and Spiegelman’s parents are very broken. As resourceful and tough as Vladek is, he’s up against this huge horror; a lot of his survival is luck.
Okay so about Maus since it’s come up lately.
The part I remember best was in book 2, Spiegelman talking to his therapist, who’s a survivor. The therapist basically defines CPTSD. This was one of the first things that made me realize my childhood wasn’t ideal, that I had problems.
Also if you look closely some of the double triangles on the camp uniforms? Even in black and white he acknowledges that Queer or Communist Jews existed. That was huge to me, coming from GA at a less enlightened time.
Okay so about Maus since it’s come up lately.
This thing was huge in my life and I don’t just mean as using comics to tell stories beyond superheroes. It’s very well crafted imho and if the subject matter wasn’t uncomfortable (I’ve met survivors, lost family in the camps, knew about this from fairly young) I would probably be copying all sorts of pages to study them.
It seemed that Mowgli laughed, and the clear voice was like the ring of steel. “But no living man am I! I am a wolf, one of the Free People. You stand between me and my lord and kin. Back, if ye be not deathless, Lame Thief of the Waingunga!” #CrossoverFic
Lots of random gunk, but some drawings and cooking talk too. Obsesses about DnD and related topics. Left-leaning/profoundly frustrated politics. Black lives matter; trans rights are human rights.
Occasionally NSFW art and discussion, please do follow if you're 18+.