Perhaps if I was just starting out, I might be more interested in Serum. However, I started out wanting to convert my MIDIs into metal arrangements. (That was before Shreddage was even a thing, haha.) So I ended up just ignoring all of the synths that came with Sonar X1 Producer, even though, retrospectively, they're awesome.
The only synth I really touched was Dimension Pro, and that's only because I bought the DSF World Instrument soundpack with it.
Just so you know, I also have a similar issue with Surge VST, though it gets a free pass because it's free, open source, and it has thousands of free user presets.
Plus it has a unique character in how it uses FM and effects signal routing, and how they can all be modulated via LFOs and macro controls.
@Felthry 2 tone generators that produce the typical bleeps and bloops like sine waves, pulse waves, and saw waves, and then you can load an audio sample as a 3rd tone generator
At the end of the day, the only real reason to use Serum is the opportunity to spend even more money on the presets that everyone and their dogs have made for the thing.
And honestly? While that is fine and all, if you're purchasing Serum, you're basically buying a sound design tool, and at some point, having 1000s of presets becomes less valuable the better you get at using a synth to design sounds.
@Felthry I also have been finding myself playing around with IMperfect, it's a simple 2-osc with 1 sample slot synth, but what makes this synth particularly nice is the inclusion of 3 analog imperfection sliders to add character like tape wobble, analog voltage interference, and tape drive, and it has one effect, Delay. Easy to dial in sounds.
I would have liked features like FM and hard Sync, but hey, subtractive synthesis is also nice.
Also, why hasn't anyone thought of making a variable-latency feedback DSP synth? I always felt it would be pretty interesting to include a feedback loop with variable serial/parallel effects chains that not only fad into the signal pre-DSP, but also with the feedback signal being used to modulate parameters of the DSP effects, and also the OSC, LFO and Filter parameters.
Am I the only one who does not give a shit about Serum? I always prefer synths with a bit more character, and a specific workflow.
Not a knock against Serum, it's a well-made plugin, but how kitchen sink its feature set is makes it hard to be creative with it. I think I'll stick with Arturia Pigments 2 and AAS Ultra Analog VA-3.
Also, as much as I love Massive, the UI is a complete mess, and Massive X is....well, pretty disappointing.
@haskal He forgot to append a "snowflake\" to his name.
Vital has been open-spurced today.
https://youtu.be/7KYsDc62lnE
#Vital #FOSS #MusicProduction
@magsalin An "anarchist" transphobe is just a colonialist dressed in anarchist aesthetics. Transphobes literally can't be anarchists.
@magsalin Ahh yes, the gender Jesus argument. 🙃
Super reductive:
A-series time is the belief that there is a definitive and singular "now" that exists, and steadily advances into the future.
and B-series is the idea that the past, present, and future are equally real, there is no privileged "now", and our perception of time flowing forward is illusory.
@Gumby Ahh, I see. Well, it's very cute. <3
@Zest What a pretty kobold <3
Artist and Composer. Trans plural voidpunk anarchist and antifa nonbinary gremlin. My voice is for the oppressed, and I shall fight for freedom with no quarter, so that those around me won't have to.
Plural members:
> Velvet Silmeria (Fae/They/She/Ey/He)
Räsvelg AY-N4 Tiyaga (Kit/Bit/She/They)
Lenneth Crimson (She/Xey/They/It)
Ashlynn Valefor (Xey/They/It/She)
Ricardo Sophia du Sol (Ey/He/They)
Saturnine Stargazer (She/They/It)
Innominat (They/Them)
Yuri Sunbreaker (It/She)