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@noiob play all the shmups in one go then turn it back?

re: self gripe 

@variance (wow I managed to miss including my intended point by a mile, which was "I only find I can do repetitive stuff while listening to something else")

re: self gripe 

@variance Idk if it'd work the same for you, but this is why podcasts and audiobooks have become like 99% of my passive-media consumption

Watching/reading/etc stuff: Mm this is dull, wanna do something else
Crafting stuff: Mm this is dull, wanna do something else

(Took a while to learn it's better than "not at all" after art/animation/etc books lionizing hyperfocus-on-task as the one true valid creative state x.x)

@variance I do most of my sewing in bed and

that is a learning experience yes

@variance Bride of Tribbles
Tribbles vs Godzilla
Rebuild of Trouble with Tribbles
50 Shades of Tribble
Star Troubles: The Last Tribble
Fantastic Tribbles and Where To Trouble Them

Tribbles: Endgame

@Moot@snouts.online in awe of the power radiating from this aesthetic

"Welcome to City 31, a model of peace in a post-invasion world. However, not all of Earth's inhabitants support interspecies alliance. Chimera Squad, an elite force of human and alien agents, must work together to destroy the underground threats driving the city toward chaos."

Get a creepy bloke in sunglasses say that, and you've just summed up half the cutscenes in XCOM2

..Pop culture sure is a rollercoaster experience sometimes

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morbidly fascinated that the new XCOM game has gone with "XCOM 2 but you're the bad guys" as the pitch, seemingly without a trace of irony

@socks@social.hikaruaikawa.com @pupy I've played it! 👋

(got stuck halfway through so haven't completed it ><)

re: Back on my Terra Ignota BS Again (*huge* spoilers) 

Bonus Round:

- Mycroft raised Bridger
- Mycroft taught Bridger his worldview
- Mycroft taught Bridger Greek Mythology, with Apollo's Illiad as *the* central text in his education
- Bridger changed reality with miracles, sometimes subconsciously
- By the time of the first book, Bridger is 14

Is the Pantheonic nature of world politics actually accurate in-fiction because the narrator raised a kid with godlike abilities, who then internalised his cultural episteme and made it into literal-truth?

[SFX: Metatextual explosion]

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re: Back on my Terra Ignota BS Again (abstract theme, no spoilers) 

This is, btw, a fantastic elaboration of the classic future-SF trope of weaving your own setting's history into real world history; The "I will join the ranks of great physicists like Isaac Newton, Albert Einstein or Freep Gargolbort!" style of worldbuilding

Terra Ignota takes it a step further, where those fictional-historical figures (the founding figures of the Hive system, for instance) are deeply immersed in the history and the people that came before them, but interpret a narrative of that history close-but-different enough to our own to feel familiar but distinctly 'off'.

They are then narrativised in turn, and those that came before them remain, take on wildly different cultural associations (Thomas Hobbes), etc, as the culture shifts. The whole fabric of history, as a story we tell ourselves of where our foundations lie and how we got here, is permeable and recursive in Terra Ignota in ways that go almost entirely unnoted and unscrutinised in STEM SF.

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re: Back on my Terra Ignota BS Again (abstract theme, no spoilers) 

Foremost example being Thomas Carlyle's historical narrative ("Great deeds of Great Men") being taken as a baseline established piece of academic truth

This shows itself not only the political makeup of the setting, but how it is portrayed (and on yet another layer of metatextual weirdness, how it is portrayed then impacting the setting itself; The first two books are published in-universe at the end of book 2, and have been widely read by the start of book 3)

So you have this perspective that feels *jarringly* monofocused on what's basically a classical pantheon of gods dictating the course of human history, in the form of the Hive Leaders and major political influencers like The Anonymous or Madame. The whole narrative and the characters within ends up giving those vibes, being more a story of gods and tragic heroes than an overview of human affairs at a time of massive upheaval.

And not all of that is explainable by "Mycroft misrepresents things", though much of it is down to who he focuses his story on and how he chooses to portray them. But Mycroft both comes from that culture, and (if we take his baseline 'factual info about setting' as truthful, which other narrators appear to confirm) is quite overt about its leaders-as-gods cultural trappings;-

Their sacred burial site for great political figures is literally called The Pantheon, after all.

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Back on my Terra Ignota BS Again (abstract theme, no spoilers) 

I think both a large part of what makes Terra Ignota such a great series and what contributes the most jarring sense of missing or altered parts of the narrative is that the narrator is embedded in a cultural episteme that's familiar enough to us to not be utterly alien, but results in many visibly "off" things to someone approaching it from outside that perspective.

So while Mycroft is a *massively* unreliable narrator, the unreliability of the resulting text is not entirely (debate topic: is not primarily?) an individual quality so much as a result of his culture.

Being able to pause & slow down time makes it a heck of a lot more accessible when learning or brainfoggy, as well as like

If you've followed me long enough, you know I basically treat every Total War as a very bloodthirsty Pokemon Snap game

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pcgamer.com/total-war-shogun-2

Total War: Shogun 2's gonna be free from the 27th-1st, and is generally agreed to be one of the best games in the franchise.

Shogun 2 was the game that got me into the series, it's very good stuff, and Total War's prettymuch the only realtime-combat strategy battle type thing I play.

re: gender... things? Resident Evil 

@Moot@snouts.online @outie @pupy YES

if it isn't then what did we even throw a culture for in the first place

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